Best Castle in Aberdeenshire, Scotland - Map and Reviews

Udny Castle is about a quarter of a mile northeast of Udny Green and half a mile southwest of Pitmedden in Aberdeenshire. The castle was built by the Udny family in the 15th century and is still the home of family descendents. It is a five-storey harled rectangular tower house with ornamental turrets and walls 8 feet thick. It was heightened in the 17th century when bartizans at each corner and a parapet above water-spouts were added. Additional wings were added in the 19th century turning the castle into a Baronial mansion built in 1874 by architect James Maitland Wardrop. The Victorian extension was demolished in the 1960s. There is a arched entrance on the east side leading to a vaulted basement. A turnpike stair rises to the hall on the first floor, which has window-seats and a Jacobean-style ceiling from the Victorian era. The tower has been restored and remains a family home. In 1634 the Udny family moved to their other property of Knockhall Castle, but after Knockhall burned down 100 years later in 1734, they returned to Udny Castle. Udny had been abandoned while they were away, and on returning they renovated and extended the old keep.

Balfluig Castle is a small but historically significant tower house situated in Aberdeenshire, Scotland, standing near the village of Alford in the Howe of Alness valley. It is a privately owned Scottish tower house that has been carefully restored over the decades, making it one of the more intact examples of its type in this part of the northeast. Its relative obscurity compared to the grand showpiece castles of Royal Deeside is part of its quiet appeal — it represents the vernacular defensive architecture of the Scottish landed gentry rather than the grandeur of royal or aristocratic patronage, and it survives today as a lived-in, loved building rather than a ruin or a museum piece. The castle dates to the sixteenth century and is associated with the Forbes family, one of the great clans of Aberdeenshire whose influence throughout the region was considerable during the medieval and early modern periods. The Forbes family were deeply embedded in the turbulent politics of northeast Scotland, frequently embroiled in the long-running feud with the Gordon clan that shaped so much of the social and military history of this part of the country. Balfluig itself, though modest in scale, would have served as a laird's residence and administrative centre for the surrounding agricultural lands, its tower providing both practical defensibility and a statement of social standing in a landscape where such assertions of power were taken seriously. Physically, Balfluig presents as a compact L-plan tower house of a type common across lowland and northeast Scotland from the late medieval period. The masonry is characteristically rubble-built from local granite, giving the walls a grey, textured appearance that absorbs and reflects the famously changeable Aberdeenshire light in different ways across the day and through the seasons. The tower rises steeply from its modest grounds, and while not large by the standards of the region's more famous castles, it has the solidity and verticality that defines the form. It has benefited from sympathetic restoration work carried out in the twentieth century, which preserved its essential character without turning it into a sanitised replica. The surrounding landscape is the broad, fertile valley known as the Howe of Alford, which sits inland from Aberdeen and is enclosed by the rolling hills of the eastern Grampians. The River Don runs through this area, and the countryside is a working agricultural landscape of fields and hedgerows interspersed with woodland belts. The village of Alford itself is only a short distance away and provides a modest range of local amenities, including the Grampian Transport Museum, which is one of the more notable visitor attractions in the immediate area. The wider Aberdeenshire countryside here is excellent walking and cycling territory, and the area forms part of the broader Castle Trail that connects numerous historic fortified buildings across the region. Because Balfluig Castle is a private residence, access to the interior is not generally available to the public, and visitors should respect the privacy of those living there. The exterior can be appreciated from nearby public roads and footpaths, and the setting rewards a slow drive or walk through the local lanes. The area is most beautiful in late spring when the farmland is green and active, and in autumn when the surrounding hills and woodlands take on rich amber and golden tones. Alford is accessible by road from Aberdeen via the A944, a journey of around thirty miles, and the area is well served by local roads, though public transport connections are limited compared to the city and visitors are best advised to travel by car. One of the more charming facts about Balfluig is that its twentieth-century restoration was undertaken with genuine scholarly care, and it has been cited as an example of how a small Scottish tower house can be brought back to habitable condition without losing its historic integrity. This kind of quiet, private stewardship of heritage is arguably more representative of how Scottish castle culture actually survives than the high-profile state-managed properties, and there is something deeply satisfying about knowing that a building of this age continues to serve its original purpose as a home. For those with an interest in Scottish architectural history, vernacular building traditions, or the social history of the Forbes clan and northeast Scotland more broadly, Balfluig offers a genuine and unhurried connection to the past.

Findlater Castle is situated on a small peninsula overlooking the Moray Firth on the coast of Banff and Buchan. It is just under 10 miles west of Banff, near the village of Sandend. The castle is on a cliff with a drop of over 50 feet to the sea. The castle was probably built by Sir John Sinclair of Findlater, who died in 1411 at the battle of Harlaw. The castle is modeled on Roslin Castle, which was the principal stronghold of the Sinclair family. The castle is now in ruins. Earliest records of the castle date back to 1246. King Alexander III of Scotland repaired the castle in the 1260s in preparation for an invasion by King Haakon IV of Norway. The Vikings captured the castle for some time. The castle was redesigned and rebuilt in the 14th-century.

Cluny Castle is a Scottish baronial country house standing in the valley of the River Don in Aberdeenshire, Scotland. It sits within a large wooded estate near the village of Monymusk, roughly ten miles southwest of Inverurie. The castle as it stands today is a private residence, but it holds a distinguished place in the history of the region as one of the grander country houses of the Garioch area. Its turreted silhouette rising above the surrounding trees is a quintessential example of the Scottish baronial revival style that was fashionable among the Scottish landed gentry during the nineteenth century, and it has attracted the interest of historians, architecture enthusiasts, and lovers of the Aberdeenshire landscape for generations. The history of Cluny Castle and its estate is long and intertwined with some of the most prominent families of northeast Scotland. The lands of Cluny were held from medieval times by the Gordon family, one of the great dynastic powers of the northeast. The Gordons of Cluny were a branch distinct from the more famous Gordons of Huntly, but equally rooted in the feudal landscape of Aberdeenshire. The castle that preceded the current structure was replaced and substantially rebuilt during the nineteenth century, with the present building largely the product of works carried out in the 1830s and 1840s under the direction of the noted Aberdeen architect John Smith, who was also responsible for work at Balmoral Castle before Prince Albert's famous remodelling. The estate passed through successive owners over the centuries, and for a considerable period in the twentieth century it served various institutional purposes before returning to private ownership. The building itself presents a commanding appearance with its grey granite walls, crow-stepped gables, round angle towers with conical roofs, and the characteristic verticality of the Scottish baronial tradition. Granite dominates everything in this part of Aberdeenshire, and Cluny is no exception — the stone glitters faintly in bright weather and takes on a deep, almost pewter quality under the overcast skies so common in this part of Scotland. The castle is large without being sprawling, and the design gives it a compact, upright dignity. The turrets and bartizans give it the appearance of something older than it truly is, which was precisely the intention of the Victorian builders seeking to connect with a romanticised Highland past. The grounds surrounding the castle are extensive and heavily wooded, with mature stands of beech, oak, and Scots pine creating a sense of deep seclusion. The River Don, one of the great salmon rivers of Scotland, winds through the lower reaches of the estate, and the landscape here has the gentle, well-managed character of an Aberdeenshire estate that has been carefully tended over many generations. The hills to the west begin to rise toward the foothills of the Cairngorms, while the valley floor is a patchwork of agricultural land, shelterbelts, and riverside vegetation. The village of Monymusk lies not far to the east and is itself a place of considerable historical interest, home to the ancient Monymusk Priory and associated with the famous Monymusk Reliquary. Because Cluny Castle is a private residence, public access to the building and its immediate grounds is not available as a matter of course, and visitors should not expect to walk the estate freely. The castle is visible from nearby roads and from certain public footpaths in the area, and the surrounding countryside offers excellent walking along the River Don. The area is served by the A944 and B-class roads connecting Inverurie to the west, and Inverurie itself has a railway station on the Aberdeen to Inverness line, making it accessible from both cities. The best time to visit the surrounding area is late spring through early autumn when the deciduous woodland is in full leaf and the Don valley is at its most attractive, though the granite landscape has its own austere beauty even in the depths of winter. One of the more intriguing aspects of Cluny's history is its connection to the transformation of Scottish country house architecture in the early Victorian era. John Smith's work here was part of a broader cultural moment in which Scottish landowners sought to reimagine their estates as expressions of Highland identity, a process that was simultaneously genuine and theatrical. The estate also sits within a landscape rich in Pictish and early medieval remains, and the broader Garioch district around Inverurie is one of the most archaeologically significant parts of Aberdeenshire, with standing stones, souterrains, and early Christian monuments scattered across the farmland. Cluny itself, set in its quiet valley with the sound of the Don in the distance and the wind in the pines, distils something essential about the northeast Scottish aesthetic — solid, reserved, and quietly magnificent.

Castle of Park is a striking tower house of considerable historic and architectural importance located near Cornhill-on-Tweed in Aberdeenshire, Scotland. Despite the English postcode-style confusion that sometimes arises from its proximity to the border regions, it sits firmly within the rich heritage landscape of northeast Scotland. The castle is a remarkably well-preserved example of Scottish baronial architecture dating from the sixteenth century, and its survival into the modern era makes it a genuine rarity among buildings of its type and age. It is classified as a Category A listed building, the highest designation in Scotland's system of heritage protection, reflecting both its architectural integrity and its historical significance. The castle was built in 1536, as confirmed by a date stone incorporated into the fabric of the building itself, which is an unusual and pleasing piece of documentary evidence rendered in stone. It was constructed for George Gordon, a member of the powerful Gordon family who dominated much of northeast Scotland during the medieval and early modern periods. The Gordons were one of the most influential noble houses in the region, and Castle of Park reflects their status and ambition. The building passed through several hands over the centuries, and like many Scottish tower houses it experienced periods of neglect and near-ruin before eventually being rescued and restored. It was acquired and sensitively restored in the twentieth century, eventually coming under the care of the Landmark Trust, the British charitable organization that rescues historic buildings and converts them into holiday accommodation, allowing paying guests to stay in extraordinary places that might otherwise be lost. Architecturally, Castle of Park is a classic L-plan tower house, a form common in Scotland that offered both defensive practicality and a degree of domestic comfort for the period. The main tower rises several storeys, its walls constructed from locally quarried rubble masonry, giving it a rugged, organic texture that weathers beautifully in the Scottish light. Crow-stepped gables, corbelled turrets, and small windows with heavy stone surrounds are among the defining features that give it its distinctly Scottish character. Inside, the rooms retain something of the austerity and drama of their original function, with thick walls that keep the interior cool in summer and that carry with them a palpable sense of age. Stone staircases wind through the building, and original or restored period details create an atmosphere that is genuinely atmospheric rather than merely picturesque. The setting of Castle of Park enhances its romantic appeal considerably. It stands in a quiet rural part of Aberdeenshire not far from the town of Huntly, surrounded by farmland, woodland, and the gentle rolling hills characteristic of the Deveron valley. The River Deveron, one of Aberdeenshire's finest salmon rivers, flows through the wider landscape. The area is part of the Castle Trail, a heritage route through northeast Scotland that connects a remarkable concentration of castles and fortified houses unique in Europe. Nearby Huntly Castle, a substantial ruin managed by Historic Environment Scotland, is one of the more dramatic stops on that trail. The landscape around Castle of Park is peaceful and agricultural, with the sounds of rural Scotland — birdsong, wind through hedgerows, the occasional distant tractor — providing a gentle backdrop to the visual drama of the tower. Because Castle of Park is managed by the Landmark Trust, access is somewhat different from a conventional heritage attraction. The castle is not open to day visitors as a museum or tourist site; instead, it is available exclusively as self-catering holiday accommodation, bookable through the Landmark Trust's website. Guests who stay there have the extraordinary experience of sleeping and living within a genuine sixteenth-century tower house, cooking in its kitchen, and waking to views of the Aberdeenshire countryside that have changed little in centuries. This model of preservation through use means the building remains lived-in and cared-for, which arguably does more for its long-term survival than conventional museum presentation. The nearest town with shops and services is Cornhill-on-Tweed to the south or Huntly to the southeast, and a car is essential for visiting the area. One of the more quietly fascinating aspects of Castle of Park is how the Landmark Trust model transforms the experience of encountering history. Visitors are not passive observers moving past rope barriers but active inhabitants of a working historic building, making it one of the most immersive heritage experiences available in Scotland. The castle also sits within a postcode and locale that speaks to the complex geographic identity of the Scottish Borders region more broadly, where history, landscape, and identity have layered themselves over millennia. For anyone with an interest in Scottish history, baronial architecture, or simply in escaping to somewhere genuinely extraordinary and quiet, Castle of Park offers something that is very difficult to find elsewhere.

Castle Fraser is a well-preserved elaborate five storey tower building near Inverurie, built from local granite. Castle Fraser has a Z-shaped architecture with a main rectangular building and two towers at diagonally opposing corners of the rectangle. This was a popular style of Scottish castle. The Entrance Hall has a display of weaponry. The castle was originally known as Muchall-in-Mar. The Frasers began construction in 1575 and the castle was completed in 1636. The castle stands in over 300 acres of open woodland and farmland, including a walled garden. It is now owned by the National Trust for Scotland and is open to tourists during the summer months. It can also be hired for weddings and corporate events. The Arts Castle Fraser has recently been used as a backdrop for some of the scenes shot in the BAFTA, Golden Globe and Academy Award winning film "The Queen", starring Helen Mirren. Legends Legend has it that a Princess was murdered in The Green Room, and then her body was dragged down the castle stairs leaving a trail of blood. The bloodstains could not be scrubbed away and were covered with wood panelling. It is said she still walks the castle at night and unexplained ghostly piano music has been heard in the castle at night.

Braemar Castle is a striking tower house castle nestled in the heart of Royal Deeside, in the Cairngorms National Park of Aberdeenshire, Scotland. It sits on a low rise above the River Dee, commanding attention with its distinctive star-shaped curtain wall, turreted silhouette, and harled white walls. The castle is a cherished landmark in one of Scotland's most celebrated Highland landscapes and holds a special place in Scottish history, being intimately connected with Jacobite uprisings, clan rivalries, and later the romanticisation of the Highlands that followed royal patronage. It is now owned by the local community and managed as a visitor attraction, making it one of the relatively rare examples of a significant Scottish castle returned to the hands of the people who live in its shadow. The origins of Braemar Castle date to 1628, when John Erskine, the 6th Earl of Mar, built it as a hunting lodge and stronghold in an area that was already prized Highland territory. The Earl of Mar family had long held power in the region, and the castle served as a base of operations in a landscape where feudal authority was frequently contested. It did not escape conflict: in 1689, the castle was burnt by John Farquharson of Inverey — the legendary "Black Colonel" — in a dramatic act of defiance against the government forces who had garrisoned it. This act left the structure a ruin for several decades. The castle's story took another major turn in 1715 when John Erskine, the 11th Earl of Mar, raised the Jacobite standard at Braemar, launching the first significant Jacobite uprising in support of James Francis Edward Stuart, the "Old Pretender." Though the rebellion ultimately failed, it cemented the castle's place in the turbulent political history of early eighteenth-century Scotland. Following the failed Jacobite rebellions and the subsequent government effort to pacify the Highlands, Braemar Castle was leased to the Hanoverian government in 1748 and rebuilt as a garrison fort, intended to house troops tasked with suppressing any further Highland resistance. The star-shaped perimeter wall, with its pointed bastions designed to deflect cannon fire and allow defenders to cover all angles, dates largely from this military redevelopment. The castle was used as a barracks until around 1797, after which it passed into the hands of the Farquharson family of Invercauld, who leased it from the Invercauld Estate. They restored and furnished it as a family residence, and much of the interior that visitors see today reflects the domestic character accumulated over the centuries of their tenure, including period furniture, weapons, and clan memorabilia that give the rooms a lived-in, intimate quality rare among Scottish castle attractions. In 2007, the Farquharson family put the castle up for lease and the community of Braemar rallied to take over its management through a community trust. This transition was a remarkable act of collective local investment, and the villagers have since worked hard to restore, maintain, and animate the castle with engaging guided tours and community events. The interior is arranged across multiple floors of the original tower, with narrow spiral stairs leading between rooms that feel genuinely ancient — low ceilings, thick stone walls, small windows that frame views of the surrounding hills, and fireplaces that once heated soldiers and clan chiefs alike. The bottle dungeon cut into the rock beneath the tower is a particularly arresting detail, a grim reminder of the castle's role as a place of power and punishment. Standing at Braemar Castle, the surrounding landscape is immediately overwhelming in the best possible sense. The Cairngorms rise in every direction, their rounded, ancient summits often dusted with snow well into spring and sometimes through summer. The River Dee runs nearby, cold and clear from its source high on the Cairngorm plateau, and the surrounding hillsides are draped with birch woodland and heather moorland. The village of Braemar itself is only a short walk away — a small, well-kept Highland settlement famous for the Braemar Gathering, the Royal Highland Games held every September and attended traditionally by the British Royal Family, who stay at nearby Balmoral Castle. Balmoral, the royal residence associated with Queen Victoria's passionate adoption of the Highlands, lies only a few miles to the east along the A93, and the whole stretch of Deeside carries a sense of regal heritage and wild Highland grandeur in roughly equal measure. Visiting Braemar Castle is a thoroughly rewarding experience at almost any time of year, though the castle is typically open to visitors from late spring through early autumn, with the exact season varying year to year under community management. It is always worth checking current opening hours with the castle directly before visiting, as community-run attractions can have more variable schedules than larger heritage sites. The castle is easily reached by driving along the A93 through Royal Deeside — one of Scotland's most scenic road routes — and there is parking nearby. Braemar village has a small but functional range of visitor facilities including accommodation, a café, and shops. For those arriving without a car, bus services connect Braemar to Ballater and onwards to Aberdeen, though services are infrequent. The autumn visit coinciding with the Braemar Gathering in early September draws large crowds and should be booked well in advance for accommodation, but it offers an incomparable combination of Highland tradition, royal spectacle, and castle atmosphere. One of the more unusual facts about Braemar Castle is the presence of graffiti scratched into the plasterwork by Hanoverian soldiers garrisoned there in the mid-eighteenth century. These inscriptions — names, dates, and fragmentary messages — are a quietly poignant form of historical record, offering a rare glimpse into the lives of ordinary soldiers stationed far from home in a landscape that must have seemed both spectacular and deeply foreign. The castle also features a remarkable unbroken spiral staircase said to have been designed so that a right-handed swordsman could defend it more easily from above — a detail repeated at many Scottish tower houses but no less evocative for that. The combination of Jacobite drama, military history, clan culture, and community revival makes Braemar Castle one of the most layered and human-scaled historic sites in the Scottish Highlands.

Slains Castle is located near Cruden Bay in Aberdeenshire. The ruins of the castle stand on high cliffs overlooking the North Sea. The original castle was a tower house built in 1597 by the 9th Earl of Erroll. The castle has been extended and reconstructed a number of times, with the last major construction effort in 1836 when it was rebuilt and granite faced. The castle was well-defended with the North Sea cliffs to the north, an abyss to the west a walled rampart with main entrance to the south. The ruins include parts of three and four storey buildings some of it with basement. There are well preserved basement kitchen works with numerous fire pits. The site has until recently been unmaintained with free public access. In October 2007 it was announced that Slains Castle ruins would be closed to the public because the ruins and land are to be converted into holiday homes by Slains Partnership. The 9th Hay Earl of Erroll built Slains Castle after James VI destroyed Old Slains at Cruden Bay (6 miles away), after the Hays participated in the rebellion of 1594. The Hays remained in the castle for generations before selling up in 1916. The fell into disrepair in the first quarter of the 20th century, and the roof was removed in 1925 to avoid paying taxes. The Arts Bram Stoker stayed at Slains Castle and it inspired his story of Dracula.

Dunnideer Castle is one of Scotland's most striking and atmospheric hilltop ruins, perched dramatically on the summit of Dunnideer Hill in Aberdeenshire, rising to around 266 metres above sea level. The surviving fragment — a single, tall section of a stone tower wall with a distinctive square window opening — has become something of an iconic landmark in the Garioch region of central Aberdeenshire. It is visible for miles around, silhouetted against the sky in a way that has captivated travellers and historians for centuries. What makes the site doubly remarkable is that the medieval tower was itself built within the remains of a much older vitrified Iron Age hillfort, meaning the location has been a place of strategic and symbolic importance for well over two thousand years. Few places in Scotland so visibly layer prehistoric, early medieval and medieval history in a single glance. The Iron Age hillfort at Dunnideer is among the most notable examples of a vitrified fort in Scotland. Vitrification refers to a process by which the stone ramparts of the fort were subjected to intense heat, causing the rock to fuse and partially melt into a glassy, slag-like material. Archaeologists continue to debate whether this was done deliberately to strengthen the defences or was the result of an attack that set fire to the timber-laced stone walls. Either way, the vitrified ramparts at Dunnideer are still clearly visible encircling the hilltop, and they speak to a long-vanished community that considered this elevated position worth defending fiercely. The hillfort is thought to date from the first millennium BC, placing human activity on this summit well before the Roman period. The medieval castle itself is believed to date from the thirteenth century and is associated with the powerful Balliol family, who held significant lands in Aberdeenshire before John Balliol became King of Scots in 1292. Some sources also connect the site to the ancient earldom of the Garioch. The tower that survives is a fragment of what would have been a more substantial fortified residence, though the castle appears to have fallen into disuse and ruin relatively early, possibly by the late medieval period. It never became the site of famous sieges or major recorded battles, which perhaps explains why it remains somewhat under the radar compared to grander Scottish castles, yet this very obscurity lends it a quiet, undisturbed dignity that many better-known ruins have lost. Standing at the summit beside the surviving wall, the sense of exposure and elevation is immediate and exhilarating. The lone gable-end of the tower, with its empty window staring out like an eye across the Aberdeenshire farmland, has a skeletal, haunting quality. The stonework is rough and weathered, patched with lichen in grey, orange and green, and the vitrified rampart material nearby has a peculiar dark, lumpy texture quite unlike ordinary drystone walling. On a clear day the views extend across the wide agricultural plain of the Garioch to the hills of the Grampians in the south and west, with the valley of the River Urie visible below. The wind at the summit is rarely still, and the surrounding fields and woodlands make for a patchwork of green and brown that shifts beautifully with the seasons. The village of Insch lies immediately to the south and east, roughly a kilometre from the base of the hill, and it is from here that most visitors begin their approach. Insch is a small but pleasant Aberdeenshire village with a railway station on the Aberdeen to Inverness line, which makes the site unusually accessible for those travelling without a car. The walk from Insch up to the summit is relatively short, typically taking around thirty to forty-five minutes at a gentle pace, following footpaths through fields and then ascending the open hillside. The hill is on access land under Scotland's Land Reform Act, meaning walkers have a legal right to be there, though sensible footwear is advisable as the upper slopes can be boggy and uneven. The best time to visit is arguably late spring or early autumn, when the light in Aberdeenshire has a particular golden quality and the landscape shows its full range of colour. Summer visits are perfectly pleasant, though midges can be a consideration on still, damp days. Winter visits, while requiring more preparation, can be spectacular, with the ruined wall standing dark against a pale or stormy sky and the surrounding farmland frosted or snow-dusted. The site has no formal facilities, no car park directly at the foot of the hill, and no entry fee — it is simply open hillside and ancient stone, which is very much part of its appeal. Parking can be found in Insch itself, and the footpath network from the village is reasonably well signposted. One of the more unusual and little-discussed aspects of Dunnideer is just how much compressed time it represents in a very small physical space. A visitor standing within the medieval tower fragment is simultaneously standing inside a vitrified Iron Age fort, looking out over a landscape that has been farmed continuously since at least the Bronze Age. The Garioch is one of the most fertile parts of Aberdeenshire, and its fields have fed communities here for millennia. Dunnideer Hill, rising so clearly above the plain, would have served as a navigation marker, a territorial signal and a place of refuge across countless generations. That the modern visitor can walk up on a weekend afternoon, with almost no infrastructure or interpretation in the way, and stand in that exact spot feeling the wind come off the Grampians, is a quietly remarkable thing.

Craigievar Castle is a seven-storey tower castle built in Scottish Baronial style, located six miles south of Alford, Aberdeenshire. The castle has a fairy tale appearance with its solid base and ornate turrets and gargoyles, with the whole castle harled a pinkish colour. Craigievar is noted for its exceptionally crafted plasterwork ceilings. The castle as a secret staircase connecting the high tower to the Great Hall. The setting is beautiful with parkland featuring magnificent specimen trees, and extensive views over the surrounding countryside to the Grampian Mountains. The castle and estate of adjoining farmlands and woodlands are owned by the National Trust for Scotland. The castle is normally open to tourists during the summer months, although was closed from August 2007 for major reharling work. The castle has holiday accommodation available at the Steading cottage and kennels cottage from April to the end of October Craigievar Castle was completed in 1626 by the Aberdonian merchant William Forbes. The Forbes family resided here for 350 years until 1963, when the property was gifted to the National Trust for Scotland. The castle originally had a walled courtyard with four round towers - only one of the round towers remains today. There was also a massive iron yett or gate covering the entrance door.

Midmar Castle is situated north of the Hill of Fare, 3 miles west of Echt in Aberdeenshire. the castle was completed around 1570 by the Gordons of Grampian. Midmar Castle is a Z-plan tower with a square tower at one end and a flat-topped round tower at the opposite end. The castle is made up of three separate blocks - the 16th Z-house, an 18th-century L-shaped east wing and a long rectangular west wing enclosing an entrance terrace and forecourt. The Z-house has a central block of five floors, a circular tower of six floors to the south-east and a square tower of five floors containing the main stairs to the north-west. The circular tower is flat topped with a castellated parapet, the main block has a steeply pitched and slated roof, with corbelled square corner turrets at the north-east and south-west corners. The square tower has a pitched roof with corbelled rounds. The chimneys are coped and the gables crow-stepped. There is a stone circle from the 3rd millennium BC in the graveyard of the church.

There are two access trails to Dunnottar. The shortest is a 800 metre path with several staircases from a car park on the coastal road off the A92. The other is a three kilometre walk from Stonehaven Harbour along a path that heads south along the cliff top to the castle. This path is narrow and steep in parts and has expansive sea views. Dunnottar Castle is situated in a dramatic setting on a cliff top near Stonehaven in Aberdeenshire. The castle fortress is now in ruins, but still an impressive sight. The castle remains includes the keep, the barracks, lodgings, stables and storehouses, chapel and drawing room. The Castle was the home of the Earls Marischal once one of the most powerful families in the land. The last Earl was convicted of treason for his part in the Jacobite rising of 1715, and Dunnottar was seized by the government. The buildings were much neglected until 1925 when the 1st Viscountess Cowdray started restoration work. The Castle is open to visitors. During the 9th Century King Donald II was killed defending Dunnottar Castle from a Viking invasion. The Vikings seized and destroyed the Castle. In the 12th Century Dunnottar Castle became a Catholic settlement. At various times, William Wallace, Mary Queen of Scots, the Marquis of Montrose and the future King Charles II, all stayed at the Castle. When Oliver Cromwell invaded Scotland in 1650, Scottish Crown Jewels, the 'Honours of Scotland' were stored at Dunnottar Castle. Cromwell's army attacked the castle, and a small garrison held out for eight months and saved the jewels from destruction. The crown, sceptre and sword are now in Edinburgh Castle. In 1685,167 Covenanters were imprisoned in the Whig's Vault below one of the buildings in the Quadrangle. Some took the oath of allegiance and were released, others died of starvation or died trying to escape. The rest were transported to the colonies. Legends The site of the Castle was of significance to the Picts. The spirit of a Pictish "green lady" has been seen in the brewery at the Castle. She is said to be looking for her "lost children" who are the Picts who converted from her religion to Christianity around the 5th Century AD.

Tolquhon Castle is located about 20 miles northwest of Aberdeen. The current castle was built by William Forbes from 1584-1589 to replace an earlier 15th century tower house known as Preston's Tower, which is still partly intact, forming the left-hand tower when viewed from in front of the gatehouse. The castle forms rectangular, three-storey residential block complemented by other buildings grouped around a central courtyard. The main house is at the far end of a courtyard. It served as a noble residence for some 300 years. The castle has an impressive gatehouse. In the laird's bedchamber on the second floor, is a secret hidden compartment below the floor where Sir William hid his valuables. The castle features unusual gun ports in the towers adjacent to the entrance, a design which was also used in Dean Castle. There is unusual stone tile work in the main hall. Beyond the courtyard, was a formal garden and a large walled pleasance. The castle is now maintained by Historic Scotland.

Leslie Castle is a restored Scottish tower house situated in Aberdeenshire, Scotland, at coordinates 57.31235, -2.66624, near the village of Leslie in the Garioch district. It stands as one of the more remarkable examples of a fully restored and privately inhabited Scottish baronial castle, a category that is rarer than it might seem — many castles of this type have fallen into ruin or been converted into institutional uses. What makes Leslie Castle particularly special is that it was painstakingly brought back from near-total dereliction to become a fully functioning private home, and it is also available to guests as an exclusive-use rental property, allowing visitors to experience the extraordinary sensation of staying within the walls of a genuine seventeenth-century Scottish tower house. The origins of Leslie Castle are rooted deep in the history of one of Scotland's oldest and most distinguished noble families. The Leslie family, from whom the castle takes its name, were a powerful Aberdeenshire dynasty with roots stretching back to the twelfth century. The lands of Leslie were granted to a Flemish nobleman, Bartholomew, who came to Scotland in the reign of King Malcolm IV, and his descendants took the surname Leslie from the place itself. The family rose to considerable prominence in Scottish affairs, and the Leslies of this lineage produced notable military commanders and churchmen over the centuries. The present tower house structure dates primarily from around 1661, though it was built upon or near the site of an earlier fortification. Like many Scottish tower houses of the period, it reflected the transitional architecture of an era moving away from purely defensive structures toward something more comfortable and domestic, while retaining the imposing vertical character that made such buildings visually commanding. By the twentieth century, Leslie Castle had fallen into serious disrepair and was essentially a roofless ruin, its walls intact but its interior devastated by time, neglect, and the elements. The restoration was undertaken by David Leslie, a member of the Leslie family, beginning in the 1980s and continuing through the early 1990s. This was a tremendous undertaking — not merely a cosmetic renovation but a comprehensive structural and historical reconstruction that sought to return the building to something close to its seventeenth-century appearance while making it genuinely habitable. Period-appropriate materials and craftsmanship were employed throughout, and the result is a castle that feels authentically old rather than artificially historicised. The restoration won considerable admiration among architectural conservation circles and stands as a model of sympathetic private reconstruction. Physically, the castle presents the classic profile of a Scottish Z-plan or L-plan tower house, with thick rubble-stone walls, small deeply-set windows, and the characteristic stepped crow-step gables that punctuate the Aberdeenshire skyline. The stonework has the rough, honest texture of local granite, weathered to subtle shades of grey and silver, and the building sits with a solidity and rootedness that makes it seem almost grown from the land rather than constructed upon it. Inside, the rooms are furnished with period antiques and tapestries, open fireplaces dominate the principal rooms, and the atmosphere is one of warmth and genuine historical character rather than museum-like sterility. The narrow turnpike stair winds upward through the tower in the traditional manner, and the upper rooms command views across the surrounding Aberdeenshire countryside. The landscape surrounding Leslie Castle is quintessential Aberdeenshire — gently rolling agricultural land interspersed with patches of woodland, the wide skies of the northeast of Scotland overhead, and in the distance the rounded shoulders of the Grampian hills. The area around the village of Leslie and the broader Garioch district is farming country, quiet and largely undramatic in the best possible sense, with a timeless quality that makes the presence of a centuries-old castle feel entirely natural. The River Gadie flows through the broader district, and the countryside in every direction has the kind of unhurried, working-landscape character that rewards slow exploration. Nearby points of interest include the town of Inverurie, which lies roughly ten miles to the east and serves as the main local centre, as well as a scattering of other castles and Pictish standing stones that make Aberdeenshire one of the richest areas in Scotland for historical exploration. For those wishing to visit or stay, Leslie Castle operates primarily as a venue for exclusive private hire, meaning it is not generally open to casual visitors dropping in unannounced. However, it has been made available through specialist Scottish castle rental agencies, making it an exceptional option for groups wishing to book the entire property for a stay of several nights. The experience of having the castle entirely to oneself — cooking in its kitchen, sitting beside its fires, sleeping in its furnished bedrooms — is genuinely unlike any hotel stay. Access to the general area is straightforward: the A96 Aberdeen to Inverness road passes not far away, and the village of Leslie itself is reachable from Inverurie or from the Insch direction. The nearest railway station is at Insch, on the Aberdeen to Inverness line, though a car is effectively essential for exploring this part of rural Aberdeenshire. One of the more quietly fascinating aspects of Leslie Castle is what it represents in the broader story of Scottish heritage. Scotland has hundreds of ruined tower houses mouldering in fields and farmyards, and the decision to restore one with such dedication and to then live in it — and make it available for others to experience — is an act of genuine cultural stewardship. The Leslie name itself travelled far beyond Aberdeenshire: members of the family served as generals in the armies of Sweden and other European powers during the Thirty Years' War, and the clan's reach extended across centuries of Scottish ecclesiastical and military history. To stay within the walls of this particular castle is to sit at a physical intersection of all that history, in a building that was old when the Jacobite risings were young, surrounded by a landscape that has changed relatively little in the centuries since.

Old Slains Castle stands as a dramatic cliff-top ruin on the windswept Aberdeenshire coast near the village of Cruden Bay, approximately 20 miles north of Aberdeen. This atmospheric fortress, perched precariously on rocky promontories jutting into the North Sea, represents one of Scotland's most spectacularly situated castle ruins. Unlike its successor, New Slains Castle located a few miles to the south, Old Slains was deliberately dismantled in the late 16th century following its owner's rebellion against the crown. The fragmentary remains that survive today include portions of the curtain walls and foundations that cling to the cliff edges, offering visitors a haunting glimpse into medieval Scottish fortification and a landscape that seems to exist at the very edge of the world. The castle's history is inextricably linked with the powerful Hay family, Earls of Erroll, who were hereditary Lord High Constables of Scotland. The original structure likely dates to the 14th or 15th century, though the exact construction date remains uncertain. The castle's most significant historical moment came in 1594 when the 9th Earl of Erroll, Francis Hay, became embroiled in a Catholic conspiracy against King James VI. As punishment for his role in this rebellion and his defeat at the Battle of Glenlivet, the king ordered the complete destruction of Old Slains Castle. The Earl was eventually pardoned and later built the New Slains Castle at Cruden Bay, which became the family's principal seat and itself gained fame as a possible inspiration for Bram Stoker's Dracula. The physical remains of Old Slains are stark and evocative, with ruined walls rising from the rocky coastal headland in jagged silhouettes against the sky. The masonry, built from local stone, has weathered to various shades of grey and brown, blending organically with the surrounding cliffs. What walls remain are fragmentary, with some sections standing several stories high while others have been reduced to foundations barely visible above the grass and heather. The site's exposure to the elements means that visitors experience the full force of North Sea weather—wind is almost constant here, carrying the salt spray and the cries of seabirds that nest on the cliffs below. On stormy days, the thunder of waves crashing against the rocks hundreds of feet below creates a primordial soundtrack that emphasizes the castle's precarious position. The surrounding landscape is characteristically wild Aberdeenshire coastline, with dramatic cliffs, rocky outcrops, and sweeping views across the North Sea. The castle sits on the Bullers of Buchan headland, sharing this spectacular stretch of coast with the Bullers of Buchan itself—a collapsed sea cave forming a dramatic cauldron-like formation where the sea surges through natural rock archways. Seabirds including fulmars, kittiwakes, and razorbills nest on the cliff faces, and the area is rich in coastal wildflowers during spring and summer months. To the south lies the pleasant seaside village of Cruden Bay with its sandy beach and famous golf course, while the fishing town of Peterhead lies several miles to the north. The immediate area around the ruins is open grassland grazed by sheep, with no visitor facilities at the site itself. Access to Old Slains Castle requires careful navigation and a willingness to explore an unmanaged historic site. The ruins are reached via a coastal walk from either Cruden Bay or the Bullers of Buchan car park, with the latter providing closer access. From the small parking area near the Bullers of Buchan, visitors follow a rough coastal path northward for approximately half a mile across grassy headland. The path is uneven and can be muddy in wet weather, so sturdy footwear is essential. There are no entrance fees, visitor centers, or formal opening hours—the site is freely accessible year-round, though visitors must take full responsibility for their own safety. Extreme caution is necessary when exploring the ruins themselves, as the proximity to sheer cliff edges, the presence of loose masonry, and the absence of barriers make this a potentially hazardous site, particularly in high winds or poor visibility. The best time to visit Old Slains is during late spring through early autumn when daylight hours are longer and weather conditions are generally more favorable, though the Scottish coast can be unpredictable in any season. Early morning or evening visits can be particularly atmospheric, with dramatic lighting effects on the ruins and the surrounding seascape. Winter visits are possible but require extra caution due to shorter days, potentially severe weather, and increased risk from slippery conditions. The site is completely exposed to the elements with no shelter, so visitors should come prepared with appropriate clothing regardless of season. Those interested in wildlife should visit during breeding season (spring and early summer) when seabird activity on the cliffs is at its peak. One fascinating aspect of Old Slains is how completely it fulfills its sentence of destruction—King James VI's order to dismantle the castle was thoroughly executed, leaving only the most substantial portions of masonry that were too difficult or dangerous to remove from the cliff edge. Local tradition holds that stones from Old Slains were used in buildings throughout the surrounding area, meaning fragments of this rebellious castle may be incorporated into farmhouses and walls for miles around. The castle's relationship with the sea is intimate and destructive—coastal erosion continues to claim portions of the ruins, and it's likely that significant parts of the original structure have already fallen into the North Sea over the centuries. This ongoing process of dissolution gives the site a temporal quality, a sense that each visit might be the last opportunity to see particular features before they succumb to the elements. The castle's position offers remarkable views that change dramatically with weather and season. On clear days, visitors can see far along the Aberdeenshire coast in both directions, while stormy conditions create spectacular displays of waves breaking against the cliffs and spray rising high into the air. The contrast between this abandoned, windswept ruin and the relatively prosperous Victorian grandeur of New Slains Castle a few miles away could hardly be more pronounced, offering insight into how dramatically the fortunes of even the most powerful families could change. The site receives relatively few visitors compared to more accessible or better-known Scottish castles, meaning those who make the journey often have the ruins largely to themselves, adding to the sense of discovery and connection with the medieval past.