Best Other in Surrey, England - Map and Reviews

The Devil's Punch Bowl is one of the most dramatic and celebrated natural landscapes in southern England, a vast natural amphitheatre carved into the heathland hills of the Surrey Hills Area of Outstanding Natural Beauty. Located near the town of Hindhead in Surrey, this enormous hollow in the earth stretches across many acres and plunges steeply downward from the surrounding heathland plateau, creating a breathtaking bowl-shaped depression that seems almost too theatrical to be entirely natural. It is managed by the National Trust and draws hundreds of thousands of visitors each year, making it one of the most visited open spaces in the southeast of England outside of London. The site is notable not only for its geological drama but also for its rich ecological value, its dark historical associations, and the remarkable transformation brought about by the removal of the A3 trunk road that once sliced through the area. The geological origins of the Devil's Punch Bowl lie in the differential erosion of the greensand and clay layers that make up the Surrey Hills. Springs emerge from the base of the Upper Greensand where it meets the impermeable Weald Clay beneath, and over millennia these spring-sapping processes have eaten backwards into the hillside, creating the great hollow that visitors see today. This process, sometimes called headward erosion, is unusual in that it was driven not by a river cutting downward from above but by water working upward and outward from within the hill. The result is a landform of rare scale and grandeur, with steep valley sides plunging into a quieter wooded floor threaded by small streams. The name itself conjures something ancient and mysterious — the idea of a bowl large enough to serve a devil speaks to the awe the landscape has historically inspired in those who encountered it. The area has a genuinely dark history. In 1786, a sailor named Edward "Sailor" Marshall was brutally murdered on the nearby Portsmouth Road by three itinerant workers — Michael Casey, James Marshall (no relation), and Richard Lonogan — who robbed and killed him on the lonely heathland. The three men were tried, convicted, and hanged, their bodies gibbeted on the hill as a warning to others. A granite memorial stone, known as the Gibbet Stone, still stands on the hilltop above the Punch Bowl to mark the spot where the gibbet once stood. This was common practice in the eighteenth century for deterring highwaymen and murderers, but the remoteness and bleakness of Hindhead Heath made the execution site particularly notorious. The crime and punishment were so sensational that they became embedded in local folklore and literature, with the spot referenced by writers including Charles Dickens and Robert Louis Stevenson, who lived nearby and knew the landscape intimately. In person, the Devil's Punch Bowl is a place of extraordinary atmosphere. Standing on the rim and looking down into the hollow, the scale of the landform takes a moment to fully register. The heathland at the top is open and windswept, covered in heather, gorse, and bilberry, with views stretching for miles on clear days across the wooded Weald to the South Downs on the southern horizon. As you descend into the bowl itself via the network of well-maintained paths, the character of the place changes entirely. The steep sides are thickly wooded with sessile oak, birch, and rowan, and the light filters down in a soft, dappled way that feels removed from the open plateau above. At the bottom, small streams trickle through boggy ground where mosses and ferns thrive, and the birdsong — redstarts, wood warblers, nightjars in season — can be remarkably rich. The transition from open heath to enclosed woodland hollow happens quickly and feels almost theatrical. One of the most significant recent events in the history of the site was the closure and removal of the A3 road, which had for decades cut directly through the heart of the Devil's Punch Bowl landscape. The opening of the Hindhead Tunnel in July 2011 — at the time the longest road tunnel in the United Kingdom built under dry land — finally allowed the A3 to pass beneath the hill, and the old road surface was broken up and removed. The National Trust then undertook an extensive restoration programme, removing the old tarmac, reseeding with native species, and restoring the heathland across the former road corridor. The transformation has been remarkable: what was once a noisy, polluted scar is now recovering heathland, and visitors who knew the area before the tunnel was built often remark on how dramatically quieter and more peaceful it has become. The restoration project won considerable praise as a model of landscape recovery. The surrounding area is rich with interest. Hindhead itself is a small town that grew significantly in the late Victorian era, partly because of the clean air and countryside that attracted wealthy residents and literary figures escaping London. George Bernard Shaw lived nearby, as did Arthur Conan Doyle for a period. The National Trust's Hindhead Commons, of which the Punch Bowl forms the centrepiece, extends across several hundred hectares of heathland and woodland, and connects to wider networks of footpaths and bridleways including the Greensand Way long-distance trail. The nearby town of Haslemere, a few miles to the south in the Wey Valley, has a good local museum and regular train services to London Waterloo, making it a practical base for visitors arriving by rail. For practical visiting, the main National Trust car park and visitor centre is located directly off the old A3 road at Hindhead, with good facilities including toilets, a café, and information boards. The site is accessible year-round, and the National Trust does not charge for access to the open heathland, though there is a car parking charge for non-members. The trails range from easy, surfaced paths near the rim to steeper, rougher routes descending into the bowl, so visitors with limited mobility should check the National Trust's accessibility information in advance. Dogs are welcome but are asked to be kept under control during the ground-nesting bird season in spring and early summer, as nightjars, stonechats, and other heathland specialists nest on the open heath. The best times to visit are arguably late July and August when the heather is in full purple bloom, or late autumn and winter when the low-angle light and bare trees give the landscape an especially moody, ancient quality. Early morning visits in any season reward those willing to make the effort with solitude and the best wildlife sightings. A perhaps lesser-known detail about the Punch Bowl is that the heathland surrounding it represents one of the largest surviving fragments of lowland heath in Surrey, a habitat that has declined catastrophically across Britain over the past two centuries due to agricultural improvement, development, and the succession of heath to scrub and woodland in the absence of traditional grazing. The National Trust uses a combination of mechanical scrub clearance and grazing by traditional breeds of cattle and ponies to maintain the open heath character, following practices that would have been familiar to the commoners who grazed their animals here for centuries. This ongoing conservation work means that visiting the Devil's Punch Bowl is not simply enjoying a preserved historic landscape but participating in an active, living story of ecological stewardship, one in which the landscape is being deliberately shaped and maintained in ways that serve both wildlife and the human communities who value it.

Winkworth Arboretum is a hillside woodland garden owned and managed by the National Trust, situated near the village of Hascombe in Surrey, England. It is one of the finest arboreta in the south of England and is particularly celebrated for its spectacular autumn colour displays, which draw visitors from considerable distances each October and November. The arboretum covers around 95 acres of hillside and valley, containing rare trees and shrubs from across the world arranged around two tranquil lakes. Its combination of exceptional horticultural collections, natural beauty, and sweeping Surrey Hills scenery makes it one of the most rewarding woodland gardens in the country. The arboretum owes its existence to Dr Wilfrid Fox, a dermatologist and passionate plantsman who began acquiring and planting the site in 1938. Fox had a particular passion for maples, rowans, azaleas, and other ornamental trees and shrubs, and over several decades he assembled a remarkable collection sourced from botanical expeditions and specialist nurseries. He gifted the land to the National Trust in 1952, making it one of the Trust's first significant garden acquisitions. Fox continued to advise on planting for many years thereafter, and the vision he established — a naturalistic hillside woodland with seasonal drama at its heart — remains largely intact today. His legacy is a living plant collection of genuine botanical and horticultural significance. Walking through Winkworth in autumn is an extraordinary sensory experience. The hillside blazes with the fiery reds, oranges, and golds of Japanese maples, liquidambars, Nyssa trees, and cercidiphyllums, the last of which releases a distinctive caramel or burnt-sugar scent as its leaves fall in warm autumn days. The light filters through the canopy in long shafts during the low autumn sun, turning the lakes below into mirrors of amber and crimson. In spring, the lower slopes erupt with azaleas and bluebells, and the boathouse area beside the larger lake becomes especially pretty when reflected colour plays across the still water. Even in winter the structural beauty of the bare canopy and the layout of the land rewards a visit. The landscape is characterised by a steep east-facing hillside dropping down to two lakes — Rowe's Flashe and the smaller lake above it — with woodland paths winding through the collection at various levels. Much of the planting is grouped for effect, so whole hillsides erupt simultaneously with matching colour. The National Trust has worked to maintain and improve the collection over the decades, adding specimens and replacing aging trees while preserving the naturalistic spirit of Fox's original design. There are also some fine examples of dawn redwoods, tulip trees, and southern beeches that have matured into genuinely impressive specimens. The surrounding landscape is part of the Surrey Hills Area of Outstanding Natural Beauty, and the broader countryside around Hascombe and Godalming is characterised by ancient sunken lanes, hammer ponds, and rolling greensand hills. The nearby village of Godalming is about three miles to the north and provides shops, cafés and a railway station with services from London Waterloo. Hascombe village itself, with its attractive pond and church, is very close by. The arboretum sits within a network of footpaths and bridleways that allow walkers to explore the wider countryside, and the high viewpoints within the arboretum itself offer far-reaching views across the Weald. The arboretum is accessible by car via the B2130 between Godalming and Hascombe, where a National Trust car park serves visitors. The site has no direct public transport link, making a car or bicycle the most practical means of arrival. The terrain is hilly and paths are largely natural woodland surfaces, so stout footwear is strongly recommended, particularly after rain when steep sections can become slippery. The site is not fully wheelchair accessible due to the gradients involved, though some of the lower flatter paths near the lakes are more manageable. Dogs are welcome on leads. The National Trust charges an admission fee for non-members, though the car park itself may be used for a fee. An often-overlooked detail is that Winkworth's boathouse, which sits at the edge of the larger lake, has become something of an iconic photographic subject — particularly when surrounded by autumn reflections — and has featured in countless books and calendars about English landscapes. The arboretum also contains some remarkably early-introduced specimens of species that were then newly available in cultivation, reflecting the mid-twentieth century period of active plant hunting and introduction when Fox was acquiring material. This gives the site a quietly historic dimension: several of its trees were planted from some of the earliest seed introductions of their kind into British horticulture.